“My Mother the Seamstress,” Indianapolis Review (forthcoming)

“Hummingbird,” Anomoly Literary Review (forthcoming)

“shame, documented,” Iowa Review, (forthcoming)

“Hear that noise? I’m getting stirred,” Pleiades (forthcoming)

“Incantation,” “My Mother the Seamstress,” “shame, documented,” Contemporary Latinx Writers Anthology, University of Arizona, (forthcoming)

"Horse Wish," "They Should Watch," "My Mother is a Sea," and "This is Not an Exit," Red Ink: An International Journal of Indigenous Literature, Art, & Humanities, upcoming 2019

My Other Name,” PANK Magazine, Latinx Folio, Spring 2019

Autobiography in Fugue,” Rogue Agent, January 2019

my daughter writes us all a letter,” Storyscape Journal, December 2018

the way a flock of black birds sets off in one large wave," The Missouri Review, Poem of the Week, November 12, 2018

"Coordinates to A Field In My Therapist's Notes," and "an object the girl an object," The Collagist, December 2018 issue

Unidentified Missing Minors Without Photos,” Queen Mob’s Teahouse, September 2018

O Great Terrible One,” Verse Daily, June 27, 2018

Nobody Asked What Happened (And I Wouldn’t Have Had the Words),” Rogue Agent, June 2018

"My Body Stops Here," Cutthroat: A Journal of the Arts, Finalist for 2018 Joy Harjo Poetry Contest, February 2018

"Weep Holes in Body," Tinderbox Literary Journal, January 2018

“Audre Lorde Questions Me or How To Be a Nobody, a Loser, a Zero" and "Ode to Roots Cracking Sidewalks," Rogue Agent, June 2017

"Cenote," Texas Review, Summer 2017

Azaleos,” Glass: A Journal of Poetry, January 2017

"Night Bed," and interview, Women's Voices for Change, December 2016

After Her Death, We Find Hundreds of Dollars in My Grandmother’s Curtains,” Tap Literary Magazine, Winter 2016 (Nominated for a Pushcart Prize)

Late Night,” The Collagist, October 2016

Tender, Tinderbox Literary Journal, September 2016

Feminine Weakness,” Rust + Moth, Autumn 2016

Cosmology, Storyscape Literary Journal, June 2016

Video Poem "Photograph of Frida Kahlo Sin Aderezos, 1946, by Antonio Kahlo"